50 Best Movies of 2024 That You Absolutely Must See
2024’s film year defied initial expectations, blossoming into a diverse and rewarding cinematic experience. While the industry faced early challenges, including strike-related delays and a slow start at the box office, major successes like Deadpool & Wolverine, Despicable Me 4, and Inside Out 2 (which became the 11th highest-grossing film of all time) proved that audiences were still eager to flock to theaters. Meanwhile, films like Moana 2 (initially planned for Disney+) shattered box office records, and smaller gems like A Different Man and bold documentaries like Grand Theft Hamlet and Scala!!! enriched the cultural landscape. Genre fans and arthouse lovers also had plenty to celebrate, with fresh horrors like Longlegs and new works from directors like Hirokazu Kore-eda and Yorgos Lanthimos adding depth to the year’s offerings.
Despite early fears about the state of cinema, 2024 emerged as a year of unexpected highlights and rich variety. Theaters faced challenges, from flashy popcorn buckets to audience distractions, but the love for film was undeniable, with late-breaking festival hits like The Brutalist and The Seed of the Sacred Fig resonating deeply. While some blockbusters underperformed and films like Furiosa went unnoticed, the overall year was a testament to cinema’s enduring power. From huge blockbusters to audacious indie efforts, 2024 delivered a wealth of films for every taste, showing that, despite the odds, great cinema still thrives.
It was, as ever, a great year for the movies for those who knew where to look. Here are the 50 best movies of 2024 that we were fortunate enough to find.
- My First Film
My First Film is a drama film, directed by Zia Anger from a screenplay by Anger and Billy Feldman. It stars Odessa Young, Devon Ross, Cole Doman, Jane Wickline, Eamon Farren, Seth Steinberg, Sage Ftacek, Abram Kurtz, Jackson Anthony, Philip Ettinger, Sarah Michelson and Ruby Max Fury.
Follow a young filmmaker, as she recounts the story of struggling to make her first feature. Fact bleeding into fiction, and past, present, and future converging to create a modern myth that redefines the very act of creation.
My First Film has received widespread praise, holding a 91% rating on Rotten Tomatoes and an 81 score on Metacritic. Natalie Winkelman of IndieWire awarded it an A-, describing the film as a poignant exploration of yearning and the beauty of letting go. Richard Brody of The New Yorker called it a “masterwork,” highlighting its artistic coming-of-age theme and innovative approach to cinema. The film has been lauded for its depth, emotional resonance, and creative storytelling.
- Ghostlight
Directed by Kelly O’Sullivan and Alex Thompson, from a screenplay by O’Sullivan. It stars Keith Kupferer, Dolly de Leon, Katherine Mallen Kupferer, Tara Mallen, Hana Dworkin, Tommy Rivera-Vega, Alma Washington, H.B. Ward, Dexter Zollicoffer, Deanna Dunagan and Francis Guinan.
Ghostlight is a powerful, emotionally resonant film that highlights the impact of theater on personal growth and healing. With a 99% approval rating on Rotten Tomatoes and a score of 83 on Metacritic, it’s received widespread acclaim for its superb performances and heartfelt exploration of grief. Critics praise its quiet intensity, particularly its ability to deepen as the narrative unfolds, with Matt Zoller Seitz noting its gradual power. Richard Roeper commended the film’s exploration of how theater fosters connections between teens and parents. The film was also recognized at the Seattle International Film Festival, winning several prestigious awards.
Babygirl is a erotic thriller film written, directed, and co-produced by Halina Reijn. It stars Nicole Kidman, Harris Dickinson, Sophie Wilde, and Antonio Banderas. The film explores the complexities of power dynamics and sexuality within a professional setting as high-ranking CEO Romy Mathis (Nicole Kidman) in New York City embarks on a forbidden romance with captivating intern Samuel (Harris Dickinson), who is significantly younger.
Babygirl is a provocative and dark exploration of power, desire, and vulnerability, driven by strong performances, particularly from Nicole Kidman. Kidman’s portrayal of Romy stands out, bringing depth and complexity to a role that could have been reduced to mere sensuality, while Harris Dickinson adds a magnetic, unsettling presence. Halina Reijn’s direction avoids the typical Hollywood gloss, opting for a raw and gritty indie approach that examines intimate dynamics with unsettling frankness. The film’s themes of sexual autonomy and the power struggles inherent in relationships are compelling, though the execution may leave some viewers craving more emotional heat. The film’s unflinching look at BDSM and its psychological ramifications strikes a balance between eroticism and tension, making it a bold, if polarizing, experience.
- Dìdi
Coming-of-age comedy drama film, written, directed, and produced by Sean Wang in his directorial debut. The film stars Izaac Wang and Joan Chen. Carlos López Estrada, Josh Peters and Chris Columbus serve. The film portrays Chris, a Taiwanese-American eighth grader (Wang) at the dawn of social media. Chris regularly uses social media to escape from his underwhelming childhood and overburdened mother (Chen), but the Internet also accentuates his preexisting feelings of internalized racism and personal inadequacy.
Dìdi is a deeply personal and emotionally resonant exploration of teenage angst, crafted with sly self-awareness by writer-director Sean Wang. Drawing comparisons to Eighth Grade (2018), the film delves into the complexities of growing up in the age of social media, offering a nuanced commentary on cultural identity and the challenges of adolescence. The film’s seamless blend of humor and pathos resonates with authenticity, making it one of the most compelling portrayals of modern youth. With strong performances and a moving narrative, Dìdi stands out as a love letter to the intricacies of teenage life, while also acknowledging the discomforts and contradictions of growing up online.
- The Outrun
It’s a drama film directed by Nora Fingscheidt from a screenplay she co-wrote with Amy Liptrot, and a story the two co-wrote with Daisy Lewis, based on the 2016 memoir of the same name by Liptrot. A co-production between the United Kingdom and Germany, it stars Saoirse Ronan, who also serves as a producer, along with Paapa Essiedu, Nabil Elouahabi, Izuka Hoyle, Lauren Lyle, Saskia Reeves, and Stephen Dillane in supporting roles.
The Outrun stands out as a poignant exploration of addiction, anchored by Saoirse Ronan’s deeply committed performance. The film offers a refreshing departure from typical addiction narratives, avoiding clichés while providing a sensitive portrayal of personal struggle and redemption. Ronan’s ability to convey complex emotions through subtle expressions brings a unique depth to her character, transforming what could have been a conventional story into something rich and transformative. Despite a somewhat meandering narrative, the film succeeds in capturing the emotional weight of its subject matter, making it a moving and heartfelt cinematic experience.
- Blitz
Historical war drama film written, produced and directed by Steve McQueen. The film stars Saoirse Ronan and Elliot Heffernan (in his film debut), supported by Harris Dickinson, Benjamin Clementine, Kathy Burke, Paul Weller, and Stephen Graham. The stories of a group of Londoners during the German bombing campaign of the British capital during World War II.
Blitz is a wartime survival tale that stands out for its emotionally charged performances by Elliott Heffernan and Saoirse Ronan, adding depth to the film’s exploration of British society during the Blitz of 1940. Directed by Steve McQueen, the film combines traditional wartime adventure with modern, revisionist approaches to its themes. The cinematography, especially by Yorick Le Saux, impresses with its stark beauty, capturing the harrowing atmosphere of war. However, while the film is widely regarded as well-crafted, some critics felt it lacked the originality needed to elevate it beyond a well-executed, albeit familiar, story. Despite its occasional predictability, Blitz remains a heartfelt and visually stunning entry in the genre.
- Flow
Animated fantasy adventure film directed by Gints Zilbalodis and written by Zilbalodis and Matīss Kaža. The film is notable for being completely rendered on the open-source software Blender and containing no dialogue.
The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.
The film received critical acclaim and won numerous film and animation awards, including the Best Animated Film awards at the European Film Awards, the New York Film Critics Circle Awards, the Los Angeles Film Critics Association Awards, and the National Board of Review Awards. The film was selected as the Latvian entry for Best International Feature Film at the 97th Academy Awards.
- No Other Land
No Other Land is a documentary film directed by Basel Adra, Hamdan Ballal, Yuval Abraham and Rachel Szor in their directorial debut. The film was made by a Palestinian-Israeli collective of four activists as an act of resistance on the path to justice during the ongoing conflict in the region.
It received universal acclaim for its powerful portrayal of the Israeli-Palestinian conflict and its impactful cinematography. With a 100% approval rating on Rotten Tomatoes and a score of 90 on Metacritic, critics praised its urgent, thought-provoking narrative. Olivia Popp highlighted its “cinematographic mobility” as a tool for activism, while Lovia Gyarkye described it as “a devastating portrait” that contributes to the movement for Palestinian freedom. David Ehrlich praised its concise and powerful footage, and Guy Lodge commended its “tight and considered” filmmaking. Robert Daniels of RogerEbert.com emphasized the film’s role in “truth and resistance,” solidifying its vital impact.
Biographical sports film directed by Joachim Rønning and written by Jeff Nathanson, based on the 2009 book by Glenn Stout. Produced by Walt Disney Pictures and Jerry Bruckheimer Films, the film stars Daisy Ridley as Gertrude Ederle, an American competitive swimmer who became the first woman to swim across the English Channel. It also stars Tilda Cobham-Hervey, Stephen Graham, Kim Bodnia, Christopher Eccleston, and Glenn Fleshler in supporting roles.
Young Woman and the Sea shines with Daisy Ridley’s captivating performance as Gertrude Ederle, whose remarkable story of determination and achievement is brought to life in this nostalgic sports drama. The film skillfully captures the essence of classic sports movies, delivering a compelling narrative about overcoming obstacles and breaking barriers. While the film’s traditional approach may feel predictable at times, it remains an inspiring tribute to Ederle’s pioneering spirit. Ridley’s star power and the film’s heartwarming message make it a worthwhile watch, even if it occasionally leans into more conventional storytelling.
- Dahomey
Dahomey is a documentary film directed by Mati Diop. It is a dramatised account of 26 royal treasures from the Kingdom of Dahomey (in modern-day Republic of Benin), which were held in a museum in France. The film explores how the artifacts were returned from France to Benin, and the reactions of Beninese people. The film was an international co-production between companies in France, Senegal, and Benin.
Mati Diop’s Dahomey is a masterful blend of history, poetry, and activism, exploring the restitution and repatriation of cultural artifacts with a vivid, imaginative lens. Diop crafts a cinematic journey that transcends mere documentation, interweaving fantasy, political discourse, and intimate storytelling to challenge post-colonial narratives. The film pulsates with emotional depth and intellectual rigor, using dreamlike cinematography and a resonant score to bring stolen legacies to life as living characters. Bold, thought-provoking, and brimming with visual and narrative ingenuity, Dahomey is an essential cinematic experience that confronts the past while inspiring a dialogue for the future.
Conclave is a mystery thriller film directed by Edward Berger and written by Peter Straughan, based on the 2016 novel by Robert Harris. The film stars Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini. In the film, Cardinal Thomas Lawrence (Fiennes) organizes a papal conclave to elect the next pope and finds himself investigating secrets and scandals about each candidate.
The film received positive reviews from critics, with praise for the performances, directing, screenplay and cinematography. It was named one of the top ten films of 2024 by the National Board of Review and the American Film Institute. Among other accolades, it received nominations for six Golden Globe Awards, including Best Motion Picture – Drama, and tied with Wicked for a leading eleven nominations at the 30th Critics’ Choice Awards, including Best Picture.
- Longlegs
Its a police procedural horror film written and directed by Osgood Perkins and starring Maika Monroe, Alicia Witt, Blair Underwood, and Nicolas Cage. It follows an FBI agent in the 1990s who is tasked with tracking down an occultist serial killer responsible for murdering multiple families throughout Oregon.
It received critical acclaim and Nicolas Cage’s nightmarish performance, blending psychological and supernatural horror to create a uniquely disturbing experience. The film’s genre-defying narrative—spanning crime procedural, occult mystery, and Faustian elements—pushes the boundaries of horror, making it one of director Perkins’ most fully realized works. While some critics, like Richard Lawson from Vanity Fair, found the film stylish yet lacking substance, others, including The Hollywood Reporter, praised its blend of dark, poetic cinema. With its claustrophobic dread and a sense of constant panic, Longlegs proves to be a modern horror masterpiece, with a rock ‘n’ roll spirit that lingers long after the credits roll.
Monkey Man is a action thriller film directed and produced by Dev Patel in his directorial debut, who also co-wrote the screenplay with Paul Angunawela and John Collee. The film stars Patel as the title character, with Sikandar Kher, Sharlto Copley, Pitobash, and Vipin Sharma in supporting roles.
Inspired by the legend of Hanuman, an icon embodying strength and courage, Kid is an anonymous young man who ekes out a meager living in an underground fight club. There, night after night, he wears a gorilla mask and is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
The story, which tackles themes of poverty, caste inequities, and underdog triumph, offers a gritty look at Mumbai through the eyes of its troubled protagonist, Kid. While the film’s action-heavy sequences draw comparisons to high-octane films like John Wick, its underlying exploration of India’s religio-political landscape, particularly through its portrayal of an ultranationalist villain, adds a unique layer of depth. Patel’s performance is a standout, commanding the screen with both physicality and emotional depth. Despite some critiques about overediting and a narrative that never fully develops its potential, Monkey Man is a striking testament to Patel’s vision as both an actor and filmmaker, delivering a provocative and exhilarating cinematic experience.
Romantic comedy-drama film directed by John Crowley from a screenplay by Nick Payne. It follows the relationship of a couple (Andrew Garfield and Florence Pugh) over the course of a decade. The film uses non-linear storytelling.
We Live in Time offers a heartfelt exploration of grief through its nonlinear narrative, anchored by powerful performances from Andrew Garfield and Florence Pugh. Their undeniable chemistry elevates the film, making it a poignant melodrama that tugs at the heartstrings. While the structure of the film may challenge some viewers with its frequent time jumps, it ultimately serves to reflect the fragmented nature of memory and loss. However, the film’s approach to storytelling and character development has drawn mixed reactions. Some critics appreciated the emotional depth and the actors’ ability to convey raw emotion, while others found the plot’s execution and structure lacking, leaving the characters feeling more like concepts than fully fleshed-out individuals. Despite its narrative flaws, We Live in Time remains a compelling watch for those who appreciate a romantic drama that blends heartache and introspection.
- Juror #2
Juror #2 is a legal thriller film co-produced and directed by Clint Eastwood, and written by Jonathan Abrams. The film stars Nicholas Hoult, Toni Collette, J. K. Simmons, Chris Messina, Zoey Deutch, Cedric Yarbrough, and Kiefer Sutherland. In the film, a man serving on the jury of a high-profile murder trial realizes that he may be responsible for the victim’s death.
Juror #2 is a masterfully understated courtroom drama that showcases Clint Eastwood’s ability to turn introspection into riveting storytelling. The film delves into the complexities of justice and moral accountability, subverting traditional legal thriller tropes to explore the imperfections of the system and the human conscience. Nicholas Hoult delivers a compelling performance, navigating a narrative that balances quiet tension with emotional depth. With its deliberate pacing and reflective tone, Juror #2 exemplifies Eastwood’s knack for crafting intelligent, thought-provoking dramas that linger long after the credits roll.
- Good One
Written, directed, and produced by India Donaldson in her directorial debut. It stars Lily Collias, James Le Gros and Danny McCarthy. During a weekend backpacking trip in the Catskills, 17-year-old Sam navigates the clash of egos between her father and his oldest friend.
Good One is an emotionally resonant debut from writer-director India Donaldson, delivering a poignant exploration of identity, family dynamics, and personal boundaries. Through nuanced storytelling and a deeply empathetic lens, the film captures the quiet tension of being tethered to the past while yearning for autonomy. The performances, particularly by the lead, convey a spectrum of unspoken emotions, reflecting the complexity of navigating relationships and societal expectations. With its delicate balance of humor and heartache, Good One establishes Donaldson as a bold new voice in contemporary cinema.
- Janet Planet
Coming of age drama film written and directed by Annie Baker in her feature directorial debut. It stars Julianne Nicholson, Zoe Ziegler, Elias Koteas, Will Patton, and Sophie Okonedo.
In rural Western Massachusetts, 11-year-old Lacy spends the summer of 1991 at home, enthralled by her own imagination and the attention of her mother, Janet. As the months pass, three visitors enter their orbit, all captivated by Janet and her spellbinding nature. In her solitary moments, Lacy inhabits an inner world so extraordinarily detailed that it begins to seep into the outside world.
Janet Planet is a quietly powerful film, anchored by the stellar performances of Julianne Nicholson and Zoe Ziegler. Their dynamic captures the complexities of human relationships with remarkable subtlety, drawing the audience into a delicate exploration of personal connections and emotional growth. The film unfolds at a deliberate pace, allowing each moment to breathe, which enhances its deep, resonant themes of self-discovery and reconciliation. With its understated drama and nuanced character development, Janet Planet stands out as an intimate and moving portrayal of life’s quiet, transformative moments.
- The Seed of the Sacred Fig
The Seed of the Sacred Fig (دانهی انجیر معابد) is a political thriller drama film written, co-produced and directed by Mohammad Rasoulof. The story centers on Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. It stars Soheila Golestani, Missagh Zareh, Mahsa Rostami and Setareh Maleki. The fictional narrative is combined with real images of the 2022-2023 Iranian protests that were violently suppressed by Iranian authorities.
The film received critical acclaim, praised for being both a compelling drama and a powerful political statement, focusing on the oppressive nature of rule, whether in a nation or a household.
It’s a gothic horror film, written and directed by Robert Eggers. It is a remake of the 1922 silent film Nosferatu, which was an unauthorised adaptation of Bram Stoker’s 1897 novel Dracula. The film features an ensemble cast including Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe, while also reuniting Eggers with the frequently collaborating cinematographer Jarin Blaschke.
The film received critical acclaim, with praise for Eggers’ direction, cinematography, production design, costumes, makeup, and performances.
- Between the Temples
Directed by Nathan Silver and written by Silver and C. Mason Wells. The film stars Jason Schwartzman, Carol Kane, Caroline Aaron, Robert Smigel, Madeline Weinstein, Matthew Shear, and Dolly de Leon. A cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student.
Between the Temples is a beautifully crafted dramedy that thrives on the captivating chemistry between Carol Kane and Jason Schwartzman. Their nuanced performances bring depth and relatability to a narrative that delves into universal aspects of the human condition with humor and poignancy. The film seamlessly balances moments of quiet introspection with sharp wit, creating a compelling, character-driven story that resonates on an emotional level. It’s a deeply affecting exploration of connection and identity, elevated by its heartfelt performances and engrossing storytelling.
- Pictures of Ghosts
Pictures of Ghosts (Portuguese: Retratos Fantasmas) is a Brazilian documentary film written and directed by Kleber Mendonça Filho. The film revisits Kleber’s hometown, the Brazilian city of Recife, through the historical prism of the cinemas he once frequented, based on his own personal archival footage, remembering what used to be idyllic places, now closed, that constituted an important time-marker in the evolution of Brazilian society.
Pictures of Ghosts is an evocative and haunting cinematic experience, weaving together memory and history with an unparalleled depth. The film had its world premiere at the 2023 Cannes Film Festival in the Special Screenings section, followed by screenings at the Main Slate section of the 2023 New York Film Festival, and at the Wavelengths section of the 2023 Toronto International Film Festival. It was selected as the Brazilian entry for the Best International Feature Film at the 96th Academy Awards, but was not nominated.
- The Beast
The Beast (French: La Bête) is a science fiction romantic drama film directed and written by Bertrand Bonello from a story he co-wrote with Guillaume Bréaud and Benjamin Charbit. A co-production between France and Canada, the film is loosely based on Henry James’s 1903 novella The Beast in the Jungle. It stars Léa Seydoux and George MacKay, with Guslagie Malanda, Dasha Nekrasova, Martin Scali, Elina Löwensohn, Marta Hoskins, Julia Faure, Kester Lovelace, Félicien Pinot and Laurent Lacotte in supporting roles.
In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her previous lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she has known him forever. A melodrama crossed by the genre, which unfolds over three distinct periods, 1910, 2014 and 2044.
The film received generally positive reviews, praised for using its sci-fi elements to explore compelling themes, although some found it unwieldy. Despite its flaws, the film was seen as largely satisfying and thought-provoking in its execution.
- Green Border
Green Border (Polish: Zielona granica) is a drama film directed by Agnieszka Holland and co-written by Holland, Gabriela Łazarkiewicz-Sieczko, and Maciej Pisuk, and stars an ensemble cast that includes Jalal Altawil, Maja Ostaszewska, Behi Djanati Atai, Tomasz Włosok, Mohamad Al Rashi, Dalia Naous, Maciej Stuhr, and Agata Kulesza. It dramatizes the plight of migrants caught in the Belarus–European Union border crisis. The film was an international co-production between companies in Poland, Czech Republic, France, and Belgium.
The film competed for the Golden Lion at the 80th Venice International Film Festival, where it won the Special Jury Prize. It received positive reviews from critics but was condemned by Polish government officials and by some segments of the wider Polish nation.
Green Border is a powerful and unflinching portrayal of the human cost of conflict and displacement, set against the stark and unforgiving landscape of the Polish-Belarusian border. Agnieszka Holland’s masterful direction intertwines multiple storylines with precision, creating a deeply compassionate and urgent narrative that resonates with its universal themes of survival and humanity. The film’s raw emotional weight and clarity of purpose make it a vital piece of contemporary cinema, offering a gripping, thought-provoking experience that challenges and compels its audience.
Emilia Pérez is a French musical crime comedy film written and directed by Jacques Audiard, based on Audiard’s opera libretto of the same name, which was in turn loosely adapted from Boris Razon’s 2018 novel Écoute. The film stars Zoe Saldaña, Karla Sofía Gascón, Selena Gomez, Adriana Paz, Mark Ivanir, and Édgar Ramírez, and is about a feared cartel leader who enlists a lawyer to help her disappear and achieve her dream of transitioning into a woman.
Karla Sofía Gascón’s performance in Emilia Perez has garnered widespread acclaim, with critics praising its swaggering musical crime thriller elements and unapologetic exploration of trans narratives. The film’s genre-bending fascination and emotional depth earned it inclusion in Sight and Sound’s Top 50 Best Movies of 2024 and recognition on TIME’s Top 10 list. Directors Taylor Hackford and Denis Villeneuve also expressed their admiration, cementing its place as one of the standout films of the year. Critics like Kevin Maher from The Times gave it a perfect score, calling it one of the year’s best films.
[Also Read: 39 Best Thriller Movies of 2024 So Far]
Historical epic film directed and produced by Ridley Scott that serves as a sequel to Gladiator (2000). Written by David Scarpa based on a story he wrote with Peter Craig. It stars Paul Mescal, Pedro Pascal, Joseph Quinn, Fred Hechinger, Lior Raz, Derek Jacobi, Connie Nielsen, and Denzel Washington. Jacobi and Nielsen reprise their roles from the first film, with Mescal replacing Spencer Treat Clark. Mescal portrays Lucius, a prisoner of war who fights as a gladiator for Macrinus, a former slave who plots to overthrow the twin emperors Geta and Caracalla.
Gladiator II delivers an exhilarating action-packed spectacle, boasting strong performances, particularly from Denzel Washington, whose scene-stealing presence brings depth to the film. Ridley Scott’s direction shines in the gripping battle sequences and visually stunning set pieces, ensuring a thrilling cinematic experience. However, while the film offers impressive action, it struggles to match the emotional weight and originality of its predecessor, with many critics feeling it lingers too closely to the original’s formula. Despite this, the film’s bold, campy energy and compelling performances, especially from Washington, make it a worthy follow-up, even if it lacks the profound emotional impact of the first Gladiator. Filmmaker Christopher Nolan named it one of his favorite films of 2024.
- Civil War
Civil War is a dystopian action thriller film written and directed by Alex Garland, starring Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Sonoya Mizuno, and Nick Offerman. The plot follows a team of war journalists traveling from New York City to Washington, D.C. during a civil war fought across the United States between a despotic federal government and secessionist movements to interview the president before rebels take the capital city.
Civil War received generally positive reviews from critics. It presents a bleak and compelling portrayal of a nation on the brink of collapse, offering a gritty look at the chaos and uncertainty that arises during times of intense division. Director Garland uses stunning cinematography and visceral battle sequences to make a powerful statement about America’s unraveling, with Kirsten Dunst’s performance capturing the soul-sickness of a fractured nation. While the film’s exploration of contemporary political themes such as democratic decline and polarization is thought-provoking, its cold, detached narrative and lack of deep character exploration may leave some viewers disengaged.
It is one of the best animated movies of 2024, the sequel to Inside Out (2015), it was directed by Kelsey Mann (in his feature directorial debut) and produced by Mark Nielsen, from a screenplay written by Meg LeFauve and Dave Holstein, and a story conceived by Mann and LeFauve. Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan reprise their roles from the first film, with Maya Hawke, Kensington Tallman (replacing Kaitlyn Dias), Liza Lapira (replacing Mindy Kaling), Tony Hale (replacing Bill Hader), Ayo Edebiri, Lilimar, Grace Lu, Sumayyah Nuriddin-Green, Adèle Exarchopoulos, and Paul Walter Hauser joining the cast. The film tells the story of Riley’s emotions as they find themselves joined by other new emotions that want to take over Riley’s mind.
Inside Out 2 takes the emotional depth of its predecessor and dives deeper into the complexities of adolescence, skillfully exploring the internal battles of a teenage mind. The introduction of new emotions like Anxiety and Ennui adds fresh layers to the narrative, effectively portraying the turbulence of growing up. Pixar’s stunning animation and clever metaphors make the journey visually captivating, while the voice cast brings a remarkable depth to the characters. Though some critics felt the plot was predictable and the new emotions less memorable, the film remains a powerful exploration of teen angst, offering both heartfelt moments and relatable humor. With its emotional intelligence, Inside Out 2 resonates as a meaningful continuation of the original’s legacy, touching on universal themes with sensitivity and charm.
- Hit Man
Romantic comedy crime film produced and directed by Richard Linklater, who co-wrote the screenplay with Glen Powell. The film stars Powell, Adria Arjona, Austin Amelio, Retta, and Sanjay Rao. It follows an undercover New Orleans police contractor who poses as a reliable hitman as he tries to save a woman in need. The basic premise was based on the true story of a college professor who worked for the Houston police in the late 1980s and 1990s as a fake hitman, as described in a 2001 magazine article by Skip Hollandsworth.
Hit Man delivers a thrilling mix of dark humor and philosophical musings, marking one of the most enjoyable films of Richard Linklater’s career. Glen Powell shines in the lead role as Gary, a hitman who navigates a complex web of identities, blending action with existential questions about self and authenticity. The film explores themes of personal transformation with wit and style, balancing sharp, often hilarious dialogue with moments of genuine introspection. While some critics noted the film’s lack of subtlety in its philosophical undertones, Hit Man is undeniably an entertaining ride, offering a star-making performance by Powell and solidifying Linklater’s ability to craft films that are both thought-provoking and deeply fun.
- The Fall Guy
It’s a action comedy film directed by David Leitch and written by Drew Pearce, loosely based on the 1980s TV series. The plot follows a stuntman (Ryan Gosling) working on his ex-girlfriend’s (Emily Blunt) directorial debut action film, only to find himself involved in a conspiracy surrounding the film’s lead actor (Aaron Taylor-Johnson). The cast also features Hannah Waddingham, Teresa Palmer, Stephanie Hsu, and Winston Duke.
The Fall Guy received generally positive reviews after its SXSW premiere. It is a refreshing throwback to action-comedy films, effortlessly blending thrilling stunts, romance, and humor with a touch of nostalgia for Hollywood’s golden age of filmmaking. Ryan Gosling and Emily Blunt’s dynamic performances and undeniable chemistry elevate the film, making it an engaging watch for a wide audience. With a self-reflexive tone that lovingly celebrates stunt work and the movie-making process, the film provides a fun, high-energy alternative to the CGI-laden blockbusters dominating the industry. While it may not subvert Hollywood’s clichés entirely, it offers a charming, entertaining experience that stands out in today’s cinematic landscape.
- Love Lies Bleeding
Love Lies Bleeding is a the best romantic thriller film directed by Rose Glass from a screenplay she co-wrote with Weronika Tofilska, and starring Kristen Stewart, Katy O’Brian, Jena Malone, Anna Baryshnikov, Dave Franco, and Ed Harris. It is an international co-production between the United Kingdom and the United States. Set in 1989, the film’s plot follows the lesbian relationship between a reclusive gym manager, who is part of a crime family, and an ambitious bodybuilder who gets wrapped up in organized crime.
Love Lies Bleeding is a daring and intense exploration of obsession, blending lust and violence into a pulsating, pulpy narrative that commands attention from start to finish. Influenced by noir legends and auteurs like David Lynch and the Coen brothers, writer-director Rose Glass delivers a film that feels both familiar and uniquely her own. The film’s stellar performances, particularly from the lead cast, propel it beyond mere genre exercise, infusing it with psychological depth and unsettling beauty. As the narrative grows more complex, its deliberate estrangement becomes part of its charm, offering a compelling watch for those eager to dive into a thrilling, bloody psychological ride.
- Here
Produced and directed by Robert Zemeckis, who co-wrote the screenplay with Eric Roth, based on the 2014 graphic novel by Richard McGuire. Echoing the source material, the film is told in a nonlinear fashion: the story covers the events of a single spot of land and its inhabitants, spanning from the distant past to the 21st century. During the film, the screen is often subdivided into multiple panes, presenting events from different time periods simultaneously. The film stars Tom Hanks, Robin Wright, Paul Bettany, and Kelly Reilly, with digital de-aging being used on much of the cast to have them portray their characters over the course of the different time periods.
Here is an ambitious but polarizing effort from Robert Zemeckis, struggling to balance its innovative concept with emotional depth. While critics commend its humanistic aspirations, the film’s reliance on spectacle and stagey execution has left many unconvinced. Audience responses reflect a mixed reception, with CinemaScore polling an average “B–” and PostTrak offering lukewarm approval.
Critics like Peter Sobczynski and Nathan Rabin found the film’s heavy-handed sentimentality and lack of coherence to undermine its potential, citing it as a disappointing entry in Zemeckis’s career. Despite its flaws, Here stands as a divisive piece that sparks discussion on the evolving relationship between form and storytelling in modern cinema.
- The People’s Joker
The People’s Joker is a parody superhero film directed by Vera Drew, and written by Vera Drew and Bri LeRose. The film unofficially parodies characters from the Batman comics, and the main character is a transgender woman based on the Joker, played by Drew. The film also features Scott Aukerman, Tim Heidecker, Maria Bamford, David Liebe Hart, Robert Wuhl (who also starred in 1989’s Batman), and Bob Odenkirk in supporting roles.
The film premiered at the 2022 Toronto International Film Festival, but planned screenings of the film were canceled due to copyright issues.
The People’s Joker is a daring, subversive reimagining of superhero tropes, blending satire and sincerity to deliver a deeply personal tale of self-discovery. With its audacious humor and meta-commentary, it critiques cultural and cinematic norms while crafting a heartfelt narrative about self-acceptance. The film’s inventive visuals and biting wit make it a standout, offering a fresh perspective on familiar archetypes. Balancing outrageous satire with genuine emotional resonance, The People’s Joker is a bold statement on individuality and the transformative power of storytelling.
- La chimera
It’s a period comedy-drama film written and directed by Alice Rohrwacher. The film stars Josh O’Connor as a British looter who gets involved in an international network of stolen Etruscan artifacts during the 1980s. Carol Duarte, Vincenzo Nemolato, Alba Rohrwacher and Isabella Rossellini appear in supporting roles.
The film received positive reviews from critics, being named one of the top 5 international films of 2023 by the National Board of Review.
La Chimera is an enchanting exploration of identity, culture, and the echoes of history, brought to life through Alice Rohrwacher’s visionary direction. This marvelously intricate tale brims with poetic energy, blending magical realism and poignant storytelling to depict Italy as a living museum of past and present. With Josh O’Connor delivering a subtly layered performance and stunning cinematography amplifying its evocative themes, the film immerses viewers in a world of emotional depth and symbolic resonance. Its unique narrative style and vibrant imagination make La Chimera a captivating and thought-provoking cinematic gem.
- A Different Man
It’s a black comedy psychological thriller film written and directed by Aaron Schimberg, starring Sebastian Stan, Renate Reinsve, and Adam Pearson. An aspiring actor undergoes a radical medical procedure to drastically transform his appearance. However, his new dream face quickly turns into a nightmare as he becomes obsessed with reclaiming what was lost.
A Different Man is a surreal, unsettling exploration of identity, transformation, and the human psyche. The film navigates its occasionally tenuous narrative with bold, provocative storytelling that challenges conventional boundaries. By tackling serious themes such as self-discovery and personal reinvention, it pushes the viewer to confront uncomfortable truths, all while maintaining an air of mystery and intrigue. The film’s strength lies in its audacious approach to these complex ideas, with performances and direction that are as captivating as they are thought-provoking. Though its narrative may sometimes feel elusive, A Different Man leaves a lasting impact, establishing itself as one of the standout independent films of 2024.
A Real Pain is a buddy comedy-drama film written and directed by Jesse Eisenberg. An international co-production between Poland and the United States, it stars Eisenberg and Kieran Culkin as two mismatched Jewish American cousins who travel to Poland in an attempt to honor their late grandmother. The cast also includes Will Sharpe, Jennifer Grey, Kurt Egyiawan, Liza Sadovy, and Daniel Oreskes.
The film received widespread critical acclaim, particularly for Eisenberg’s direction and screenplay, Culkin’s performance, and its emotional weight. The National Board of Review and the American Film Institute named it one of the top ten films of 2024.
- I Saw the TV Glow
Supernatural horror drama film written and directed by Jane Schoenbrun. It stars Justice Smith and Brigette Lundy-Paine as two troubled high school students whose connection to their favorite television show drives them to question their reality and identities. The supporting cast includes Helena Howard, Lindsey Jordan, Conner O’Malley, Emma Portner, Ian Foreman, Fred Durst, and Danielle Deadwyler.
The film marks the second entry in what Schoenbrun refers to as their[a] Screen Trilogy, following the film We’re All Going to the World’s Fair (2021) and preceding an upcoming novel titled Public Access Afterworld.
I Saw the TV Glow received widespread acclaim, holding an 84% approval rating on Rotten Tomatoes based on 224 reviews, with an average rating of 7.6/10. The critics consensus praises its distinctive visual style and emotionally resonant narrative, further cementing Jane Schoenbrun’s rising talent.
- His Three Daughters
Written and directed by Azazel Jacobs, starring Carrie Coon, Natasha Lyonne and Elizabeth Olsen as three estranged sisters who come back together to care for their ailing father. It received positive reviews and was named one of the Top Ten Independent Films of 2024 by the National Board of Review.
His Three Daughters shines as an emotionally rich exploration of complex family dynamics, masterfully brought to life by Natasha Lyonne, Elizabeth Olsen, and Carrie Coon. The film delicately navigates the tensions of guilt, obligation, and forgiveness, all while maintaining a warmth that envelops the audience like a comforting blanket. With its sharp writing and standout performances, it effortlessly blends intimate drama with profound emotional depth, making it a compelling and unforgettable experience. The trio’s exceptional portrayal of the nuanced characters offers a brilliant showcase of talent, elevating the film to one of the year’s finest independent releases.
Wicked: Part I is a musical fantasy film directed by Jon M. Chu, and written by Winnie Holzman and Dana Fox, with songs by Stephen Schwartz. It is the first installment of a two-part film adaptation of the stage musical of the same name based on the 1995 novel, which in turn is based on the Oz books and the 1939 film The Wizard of Oz.
The film covers the musical’s first act. It stars Cynthia Erivo as Elphaba Thropp and Ariana Grande-Butera[b] as Galinda Upland, with Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh and Jeff Goldblum rounding out the principal cast. Set in the Land of Oz both before and after the events of The Wonderful Wizard of Oz, it follows Elphaba, the future Wicked Witch of the West, and her friendship with her classmate Galinda, the future Glinda the Good.
Wicked delivers a dazzling, larger-than-life cinematic experience, propelled by the magnetic performances of Cynthia Erivo and Ariana Grande. Their on-screen chemistry infuses the film with both charm and emotional depth, making the magical journey to Oz irresistible. With breathtaking sets, costumes, and musical numbers, particularly the iconic Ozdust Ballroom scene, the film stands out as one of 2024’s most entertaining movie musicals. While some criticize its handling of tonal shifts and thematic elements, the film’s visual spectacle and powerhouse performances create an unforgettable cinematic event that resonates with audiences long after the credits roll.
Romantic sports drama film directed by Luca Guadagnino and written by Justin Kuritzkes. It follows the love triangle between an injured tennis star-turned-coach (Zendaya), her low-circuit tennis player ex-boyfriend (Josh O’Connor), and her tennis champion husband (Mike Faist) across 13 years of their relationship, culminating in the latter two’s match on the ATP Challenger Tour.
Challengers received highly positive reviews from critics, it is an electrifying and sexy film that brings together a trio of outstanding performances, with its cast effortlessly exchanging star power. The film’s energy pulses through its kinetic action, blending thrilling court sequences with an adventurous, heart-pounding score. What makes Challengers truly stand out is its blend of smart, unconventional storytelling, exemplified by a bold, memorable ending that leaves a lasting impression.
- The Wild Robot
It’s a animated science fiction adventure film based on the 2016 novel of the same name by Peter Brown, it was written for the screen and directed by Chris Sanders and features the voices of Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, Matt Berry, and Ving Rhames.
The film follows Roz (Nyong’o), a service robot shipwrecked on an uninhabited island who must adapt to her surroundings, build relationships with the local wildlife, and become the adoptive mother of an orphaned goose, Brightbill (Connor).
The film received universal acclaim and was widely praised for its emotional depth and stunning animation. With a 97% rating on Rotten Tomatoes and an average score of 85 on Metacritic, it was celebrated for its simple yet sophisticated storytelling. Critics like Natalia Winkelman and Pete Hammond hailed it as a “dazzling triumph of animation,” with comparisons to Spielberg’s E.T. for its emotional resonance. The film’s ability to captivate both children and adults was noted, with The Guardian describing it as “clever, heartfelt, and frequently stunning.” Nyong’o’s performance also garnered praise for transforming the film into an unforgettable experience.
- Do Not Expect Too Much from the End of the World
Do Not Expect Too Much from the End of the World (Romanian: Nu aștepta prea mult de la sfârșitul lumii) is a black comedy film written and directed by Radu Jude. It stars Ilinca Manolache with supporting performances by Nina Hoss and Uwe Boll.
The film received overwhelmingly positive reviews from critics and the Special Jury Prize and was praised for its unique, expansive approach to modern life. With a 97% rating on Rotten Tomatoes, it was hailed as a testament to Radu Jude’s talent as a provocative filmmaker. Critics like Peter Bradshaw described it as a “freewheeling essay-movie-slash-black-comedy,” taking aim at various aspects of contemporary society. Matthew Joseph Jenner called it a “masterpiece of playful postmodernism,” noting its urgent relevance. The film also garnered strong praise from outlets like Indie Wire, Le Monde, and Screen Daily, further solidifying its status as a standout work in cinema.
- Evil Does Not Exist
Evil Does Not Exist (悪は存在しない) is a Japanese drama film written and directed by Ryusuke Hamaguchi. It stars Hitoshi Omika, Ryo Nishikawa, Ryuji Kosaka, and Ayaka Shibutani, and all cast are non-professional actors, the film follows a single father who lives in a village that is disrupted by a real estate project and the consequences its development will have to their environment.
The film received positive reviews from critics and was praised for its quiet yet entrancing exploration of the conflict between modern civilization and the natural world. With a 91% rating on Rotten Tomatoes and a Metacritic score of 83, it was lauded for its simplicity and visual artistry. Critics like Manohla Dargis highlighted its intimate, everyday-life fragments that build a strikingly recognizable world, while Peter Bradshaw noted its enigmatic nature and refusal to offer easy explanations. Though some found it opaque, the film’s calm assurance and artistry garnered admiration, making it a standout despite not being director Hamaguchi’s best work.
Directed and produced by Brady Corbet from a script he co-wrote with Mona Fastvold. An international co-production between the United States, United Kingdom, and Hungary, it stars Adrien Brody, Felicity Jones, Guy Pearce, Joe Alwyn, Raffey Cassidy, Stacy Martin, Emma Laird, Isaach de Bankolé, and Alessandro Nivola. It follows the life of László Tóth, a Hungarian-born Jewish architect who survives the Holocaust and emigrates to the United States, where he struggles to achieve the American Dream until a wealthy client changes his life.
The film received critical acclaim and was praised for its stunning cinematography, soulful performance by Adrien Brody, and its portrayal of the immigrant experience. It was lauded for its structural beauty and visual grandeur. Critics like Peter Bradshaw called it “an electrifying piece of work,” while Vogue highlighted its “sumptuous” production design and cinematography. NPR and RogerEbert.com both recognized it as one of the best films of 2024, with the film being described as conceptually stunning and powerfully savage in its exploration of the American dream.
Furiosa: A Mad Max Saga is the fifth installment in Miller’s Mad Max franchise, and the first not focused on series protagonist Max Rockatansky, instead acting as both a spinoff prequel to Mad Max: Fury Road (2015) and an origin story for the Fury Road character Furiosa, portrayed by Anya Taylor-Joy and Alyla Browne in the prequel.
The film directed and produced by George Miller, who wrote the screenplay with Nico Lathouris, set years before the events of Fury Road, the film follows the title character’s life for over a decade, from her kidnapping by the forces of warlord Dementus (Chris Hemsworth) to her ascension to the rank of Imperator. Tom Burke also stars as Praetorian Jack, a military commander who befriends Furiosa. Several Fury Road cast members return in supporting roles, including John Howard, Nathan Jones, and Angus Sampson reprising their characters.
The film received largely positive reviews from critics and was praised for its action sequences, performances, and emotional depth. It was noted for enriching Fury Road with greater emotional weight while still maintaining its thrilling pace. Critics like Robert Daniels and John Nugent called it one of the best prequels ever made, with Anya Taylor-Joy’s performance as a standout. Some, however, criticized the film for its perceived franchise fatigue and repetitive elements. Despite these critiques, Furiosa was celebrated for its boldness, with Matt Zoller Seitz naming it the best film of 2024.
- Sing Sing
Based on the real-life Rehabilitation Through the Arts program at Sing Sing Maximum Security Prison, the film centers on a group of incarcerated men involved in the creation of theatrical stage shows through the program. It stars professional actors Colman Domingo and Paul Raci, alongside many real-life formerly incarcerated men who were themselves alumni of the program during their incarceration, including Clarence “Divine Eye” Maclin and Jon-Adrian “JJ” Velazquez.
The film is directed by Greg Kwedar, who co-wrote the screenplay and co-produced with Clint Bentley.
The film received overwhelmingly positive reviews from critics and was celebrated for its emotional depth, particularly Colman Domingo’s powerful performance. With a 98% rating on Rotten Tomatoes and a Metacritic score of 84, it was hailed for its portrayal of art’s redemptive power, drawing praise for both its heartfelt storytelling and impressive ensemble cast. Critics like Peter Travers and Richard Roeper praised Domingo’s performance as award-worthy, while Stephanie Zacharek highlighted the film’s exploration of forgiveness and redemption. Filmmaker Jeff Nichols also expressed admiration, calling it a delicate and unique cinematic achievement that exemplifies the best of both the industry and society.
The Substance is a body horror film written, directed, co-edited, and co-produced by Coralie Fargeat. It follows a fading celebrity, Elisabeth Sparkle (Demi Moore) who, after being fired by her producer (Dennis Quaid) due to her age, uses a black market drug that creates a much younger version of herself (Margaret Qualley) with unexpected side effects.
The film largely received positive reviews from critics and was praised for its audacious body horror, Demi Moore’s fearless performance, and Coralie Fargeat’s direction. With an 89% rating on Rotten Tomatoes and a Metacritic score of 78, the film garnered “generally favorable” reviews, with many considering it an instant classic in the body horror genre. Critics highlighted Moore’s performance, calling it her best in decades, while Fargeat’s direction was praised for its blend of grotesque horror and dark humor. Despite some criticism of its lack of subtlety, the film’s boldness and inventive style were widely celebrated.
Written, directed, and edited by Sean Baker comedy-drama film, follows the beleaguered marriage between Anora (Mikey Madison), a young sex worker, and Vanya Zakharov (Mark Eydelshteyn), the son of a Russian oligarch. The supporting cast includes Yura Borisov, Karren Karagulian, Vache Tovmasyan, and Aleksei Serebryakov.
The film received widespread acclaim from critics and was praised for its vibrant performances, particularly Mikey Madison’s standout role. Its blend of humor, emotional depth, and unpredictability was highlighted, with many considering it one of the best films of 2024.
- Dune: Part Two
Epic science fiction film directed by Denis Villeneuve, who co-wrote the screenplay with Jon Spaihts. The sequel to Dune (2021), it is the second of a two-part adaptation of the 1965 novel Dune by Frank Herbert. It follows Paul Atreides as he unites with the Fremen people of the desert planet Arrakis to wage war against House Harkonnen.
Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Charlotte Rampling, and Javier Bardem reprise their roles from the first film, with Austin Butler, Florence Pugh, Christopher Walken and Léa Seydoux joining the cast.
The film “largely received rave reviews from critics”, and was praised for its visual effects and cast performances. Some reviews considered it one of the greatest science fiction films ever made.
Historical drama film based on the 2019 novel The Nickel Boys by Colson Whitehead. It was directed by RaMell Ross, who co-wrote the screenplay with Joslyn Barnes, and stars Ethan Herisse and Brandon Wilson, alongside Hamish Linklater, Fred Hechinger, Daveed Diggs, and Aunjanue Ellis-Taylor.
The story follows two African American boys, Elwood and Turner, who are sent to an abusive reform school called the Nickel Academy in 1960s Florida. The film is inspired by the historic reform school in Florida called the Dozier School for Boys, which was notorious for abusive treatment of students.
It received positive reviews from critics and was named one of the top 10 films of 2024 by the American Film Institute. It received several accolades, including a nomination for Best Motion Picture – Drama at the 82nd Golden Globe Awards, and five nominations at the 30th Critics’ Choice Awards, including Best Picture.
All We Imagine as Light is a drama film written and directed by Payal Kapadia. It stars Kani Kusruti, Divya Prabha, Chhaya Kadam and Hridhu Haroon. The film premiered at the 77th Cannes Film Festival on 23 May 2024. It was the first film from India to compete in the main competition since 1994, and won the Grand Prix.
It received positive reviews. It topped the Sight & Sound poll for best film of 2024, and was named one of the top five international films of 2024 by the National Board of Review. At the 82nd Golden Globe Awards, it received two nominations for Best Foreign Language Film and Best Director for Kapadia.
Nurse Prabha’s daily life in Mumbai takes an unexpected turn when a surprise present arrives from her estranged husband. Her younger roommate, Anu, faces frustration in her quest to secure a private spot in the city to be intimate with her partner.
